SELÇUK AKER · BRAND, DESIGN AND ADVERTISING
Looking for an advertising agency in Istanbul? Start with the work your brand needs. I’m Selçuk Aker, an independent designer working directly with clients on brand identity, print communication, digital interfaces and advertising visuals. From a single package to ongoing creative production, we agree on scope, deliverables and timing together.
Discuss my project ↗Launching a brand, explaining products to a sales team and generating website enquiries are different problems. We identify the priority deliverable before adding services. I review your existing files, audience and the point where your communication needs improvement.
I graduated from Marmara University’s Faculty of Fine Arts, Department of Graphic Design. I combine nearly twenty years of agency and art direction experience with an independent working model. This page explains how I can handle your creative requirements; it does not represent a promise of a full agency team.
From positioning and naming to logos, colour, typography and brand guidelines. I design business cards, letterheads, envelopes and corporate documents as parts of a coherent visual identity.
Explore the service ↗Product catalogues, digital catalogues, price lists, brochures, flyers, inserts and editorial design. I turn technical product data into readable layouts and structure company, sales and investor presentations around their purpose.
Explore the service ↗Packaging systems, boxes and labels for individual products and product families. I collect dimensions, dielines, required product information and printer specifications before designing for real production conditions.
Explore the service ↗Corporate websites, e-commerce interfaces and landing pages. I consider content order, mobile layouts, product details and enquiry steps together. Interface design, development, hosting and maintenance are separate items in the proposal.
Explore the service ↗Mobile screens, user flows, interactive prototypes, SaaS dashboards and administration panels. I organise Figma deliverables with components, screen states and design decisions for developer handoff.
Explore the service ↗Social posts, stories, Reels covers, banners, email graphics, video design and motion graphics. I adapt the campaign message across formats. Publishing and advertising account management, when required, are scoped separately.
Explore the service ↗Exhibition stand graphics, roll-up displays, posters, billboards, signs, retail visuals and vehicle wraps. Viewing distance, application surface and print dimensions guide the design; physical production and installation are planned separately.
Explore the service ↗I establish a consistent visual language across your catalogue, packaging, website and social media. Monthly priorities, production and approvals follow one working plan, particularly for smaller businesses and brands with recurring design needs.
Explore the service ↗Review the visuals alongside the work delivered. These examples show design production, not verified increases in sales or advertising returns.
For Pedaş, I handle the website, catalogues, boxes and packaging, corporate identity, logo, presentations, social media, digital marketing, exhibition stand graphics and brochures.
I created the complete Yatcim website.
I designed the user interfaces for ERP Software.
I designed new user interfaces for Danone.
1. Requirements and content: We define the audience, goal, channels and available copy, photography and product data.
2. Scope and proposal: We agree on page, screen, product or asset quantities, revision boundaries and delivery dates.
3. Design and approval: We review the initial visual direction, then apply the approved approach to the required formats. Feedback is collected through one decision process.
4. Delivery and continuity: Print files, digital assets or interface documents are delivered in the agreed formats. Recurring production starts with the next prioritised work list.
A catalogue and monthly social media production have different cost drivers. Page or screen counts, content preparation, original visuals, revision scope and timing all affect the fee. Instead of relying on a package name, I explain the deliverables in writing.
Check the proposal for: Asset quantities and dimensions; responsibility for copy and photography; review stages; source files and usage rights; delivery dates; and any recurring production.
Printing, photography, licences, software development, hosting and advertising media spend are separate from the design fee. We itemise what is needed. Sharing a budget range helps us prioritise critical work and phase the remaining requirements.
An agency organisation can suit projects requiring several specialist teams at the same time. An independent designer can suit a brand that needs direct decisions, a consistent visual language and clearly defined deliverables. Choose around the project rather than the job title.
When working with me, you discuss design decisions directly with me. We identify additional specialist or physical production requirements at the outset. Look for comparable deliverables in the portfolio: evaluate scope, readability and implementation details instead of relying only on client logos.
Briefing, presentations, file sharing and approvals can take place online. We plan in-person meetings or on-site work in Istanbul before the project begins. For ongoing support, we agree on priorities, the work list and communication frequency.
I also design understandable web pages for visitors arriving from search: clear service descriptions, heading structure, accessible text and a straightforward enquiry step. I do not guarantee search rankings or inclusion in AI answers. Design, content and technical implementation responsibilities are defined for each project.
I work as an independent graphic designer and art director. I can coordinate several creative needs for a brand, but this is not the same organisation as a full-service agency team. We clarify who handles each task and any additional requirements at the start.
Yes. We can work on a single catalogue, package, logo, web interface or presentation. You do not need to buy services you do not require.
The monthly work list can include social media assets, catalogue updates, campaign visuals and other design requirements. Quantities, priorities and revision limits are agreed in advance; unlimited production is not assumed.
Interface design and software development are separate deliverables. We assess development requirements separately. A set of mobile screens or an interactive prototype is not a coded, functioning application.
No. Creative production, publishing or account management, and media spend paid to the platform are separate items. We establish which are required before preparing the proposal.
Send your brand’s website, required deliverables, intended use and target date. Product information, existing design files, references and a budget range help define the scope accurately.
I prepare print-ready files to the printer’s specifications, digital exports and the source files included in the agreement. We clarify third-party font and stock licences and usage rights before delivery.
The start date depends on the current schedule, project scope and readiness of your content. After the introductory discussion, the proposal includes review stages and delivery dates.
You may need a catalogue, packaging, a website or ongoing design support. Share your brand, priority and target date so we can define the deliverables together.
Discuss my project ↗